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・ Pygmaeopsis
・ Pygmaeopsis viticola
・ Pygmaeorchis
・ Pygmaeothamnus
・ Pygmaleptostylus
・ Pygmalion
・ Pygmalion (1935 film)
・ Pygmalion (1937 film)
・ Pygmalion (1938 film)
・ Pygmalion (1983 film)
・ Pygmalion (album)
・ Pygmalion (mythology)
・ Pygmalion (name)
・ Pygmalion (opera)
・ Pygmalion (play)
Pygmalion (Rousseau)
・ Pygmalion and Galatea
・ Pygmalion and Galatea (1898 film)
・ Pygmalion and the Image series
・ Pygmalion effect
・ Pygmalion in the Classroom
・ Pygmalion Music Festival
・ Pygmalion of Tyre
・ Pygmalion, ou La Statue de Chypre
・ Pygmalion; or, The Statue Fair
・ Pygments
・ Pygmeocossus
・ Pygmeocossus simao
・ Pygmeocossus tonga
・ Pygmeopolia


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Pygmalion (Rousseau) : ウィキペディア英語版
Pygmalion (Rousseau)

''Pygmalion'' is the most influential dramatic work by Jean-Jacques Rousseau, other than his opera ''Le devin du village''. Though now rarely performed, it was one of the first ever melodramas (that is, a play consisting of pantomime gestures and the spoken word, both with a musical accompaniment). It is formed of spoken monodrama with instrumental musical interludes and thus can be credited with spreading a new theatrical genre, especially in German-speaking areas of Europe. He wrote it in 1762, with music by Horace Coignet. It was first performed at the Hôtel de Ville, Lyon in 1770. The work is considered a turning point for its author, who also wrote ''The Social Contract'' that same year.
==History==
Rousseau probably wrote his text in 1762, but hesitated to put on a production of it, complaining of his lack of skill (in Pygmalion's case in life-giving, in Rousseau's in music-writing). The merchant and amateur composer Horace Coignet allowed him to realise it by writing a score and an overture, and the complete work was put on by amateurs in the town hall in Lyon in private rooms. As with his one-act opera ''Le devin du village'' (1752), Rousseau modelled the production on the Parisian 'Théâtre de la foire'.
Without Rousseau's consent, affirmed by the uniqueness of the premiere and the truth of the statue's first interpreter, the play remained in the repertory of the Comédie-Française for about five years in his own 1775 version.

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